Away from the dead / David Bergen.

By:

Bergen, David, 1957-

Material type: Text

TextPublication details: Federicton, New Brunswick : Goose Lane, 2023.Description: 224 p. ; 21 cmISBN:

9781773103105 (pbk.)

Subject(s):

Genre/Form:

Historical fiction.

DDC classification:

[Fic] 23

Summary: Violence is the domain of both the rich and poor. Or so it seems in early 20th-century Ukraine during the tumult of the Russian Revolution. As anarchists, Bolsheviks, and the White Army all come and go, each claiming freedom and justice, David Bergen embeds his readers into the lives of characters connected through love, family, and loyalty. Lehn, a bookseller south of Kiev, deserts the army and writes poetry to his love back home; Sablin, an adopted Mennonite-Ukrainian stableboy, runs with the anarchists only to discover that love and the planting of crops is preferable to killing; Inna, a beautiful young peasant, tries to stop a Mennonite landowner from stealing her child. In a world of violence, Sablin, Lehn, and Inna learn to love and hate and love again, hoping, against all odds, that one can turn away from the dead.

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Holdings
Item type	Current library	Collection	Call number	Status	Date due	Barcode	Item holds
Fiction	West Grey Neustadt Branch Shelves	Fiction	FIC BER (Browse shelf(Opens below))	Available		33321003234441

Total holds: 0

Includes bibliographical references.

Violence is the domain of both the rich and poor. Or so it seems in early 20th-century Ukraine during the tumult of the Russian Revolution. As anarchists, Bolsheviks, and the White Army all come and go, each claiming freedom and justice, David Bergen embeds his readers into the lives of characters connected through love, family, and loyalty. Lehn, a bookseller south of Kiev, deserts the army and writes poetry to his love back home; Sablin, an adopted Mennonite-Ukrainian stableboy, runs with the anarchists only to discover that love and the planting of crops is preferable to killing; Inna, a beautiful young peasant, tries to stop a Mennonite landowner from stealing her child. In a world of violence, Sablin, Lehn, and Inna learn to love and hate and love again, hoping, against all odds, that one can turn away from the dead.

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